White Rapper Sings Kill White People – Misdirected White Male Anger (with rubbish music video)

I agree with Paladin that this guy is a bad joke and an idiot who should just kill himself, and that a lot of rap is garbage, but I disagree about the generalization of “all rap.” I happen to like White Power rap from Russia such as WCD/Kroshka i Enot, TAZ1488, and SPROT from Omsk. Some examples in an upcoming post. I don’t know of any National Socialist White rap other than from Russia, so you would have to know Russian to understand the specific lyrics, but the rap style allows for presenting a lot of information quickly. As to the criticism that it is nigger music regardless of lyrical content I would reply that the same was once said about Rock yet there are many White Power rockers today. It’s also not entirely true that niggers were the only ones to originate spoken rhyming over musical beats; Slavs and Celts are among those that have done so traditionally (I will see if I can dig up some information on this). As with all music and art, it is really about the content, not the style, to me.

saboteur365

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Fucking piece of shit race traitor psychopath Daniel Dahmer wants all whites dead? OK, he’s white. He can go first. (No asterisks as this fuck doesn’t deserve them)

This video makes the “death to the white race” agenda as clear as anything you’re likely to see. And Dahmer is possibly a Jew, so if you have friends who say that Jews can’t be criticized because they’ve suffered so much, show them this video.

ALL RAP “MUSIC” WHICH IS PUSHED BY JEWS AND HAS TAKEN OVER THE ENTIRE WORLD EMBODIES THE DEATH TO WHITE RACE AGENDA. WHETHER IT’S DONE BY IGGY AZALEA OR DANIEL DAHMER, THE PURPOSE OF RAP IS TO DISEMPOWER AND EXTERMINATE WHITE MALES, WHILE ENSLAVING WHITE FEMALES.

WHITE SUCCESS IN RAP TEACHES WHITE SELF-HATRED, SOMETIMES SUBTLY, OTHER TIMES BLATANTLY AS IN THIS SHIT…

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13 thoughts on “White Rapper Sings Kill White People – Misdirected White Male Anger (with rubbish music video)

  1. Glad to hear your dissenting take on matters. It sounds like you’re a lot younger than I am, which means we may have a generation gap on some issues. However, we’re pulling together on what really counts.

    I have other things to do right now, but I plan to get back and check out the videos you posted here.

    Liked by 1 person

  2. Thanks!

    From wikipedia article on rap:

    Precursors also exist in non-African/African-American traditions, especially in vaudeville and musical theater. One such tradition is the patter song exemplified by Gilbert and Sullivan but that has origins in earlier Italian opera. “Rock Island” from Meridith Wilson’s The Music Man is wholly spoken by an ensemble of travelling salesmen, as are most of the numbers for British actor Rex Harrison in the 1964 Lerner and Loewe musical My Fair Lady. Glenn Miller’s “The Lady’s in Love with You” and “The Little Man Who Wasn’t There” (both 1939), each contain distinctly rap-like sequences set to a driving beat. In musical theater, the term “vamp” is identical to its meaning in jazz, gospel, and funk, and it fulfills the same function. Semi-spoken music has long been especially popular in British entertainment, and such examples as David Croft’s theme to the 1970s’ sitcom Are You Being Served? have elements indistinguishable from modern rap. In the realm of classical music, semi-spoken music was popular stylized by composer Arnold Schoenberg as Sprechstimme, and famously used in Ernst Toch’s 1924 Geographical Fugue for spoken chorus and the final scene in Darius Milhaud’s 1915 ballet Les Choéphores.[22] In the French chanson field, irrigated by a strong poetry tradition, such singer-songwriters as Léo Ferré or Serge Gainsbourg made their own use of spoken word over rock or symphonic music from the very beginning of the 1970s. Although these probably did not have a direct influence on rap’s development in the African American cultural sphere, they paved the way for acceptance of spoken word music in the media market.

    And: http://en.wikipedia.org/wiki/Flyting

    Flyting is a ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. The root is the Old English word flītan meaning quarrel (from Old Norse word flyta meaning provocation). Examples of flyting are found throughout Norse, Anglo-Saxon and Medieval literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion.

    Norse literature contains stories of the gods flyting. For example in Lokasenna the god Loki insults the other gods in the hall of Ægir and the poem Hárbarðsljóð in which Hárbarðr (generally considered to be Odin in disguise) engages in flyting with Thor.

    Like

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